Artist Commissions Hub
A commission workflow in Discord: a public queue, written terms, per-stage client updates and a finished-work portfolio.
- 4 categories
- 13 channels
- 7 roles
- Small
Choose a server, review what will be created or reused, then confirm. Merge keeps what you have; replace rebuilds the server. Vetox takes a safety backup first either way.
Server structure
Channels
OPEN FOR WORK
- whats-open
Slots open right now. Edited, not reposted.
- prices-and-what-you-get
Tiers, and exactly what each includes.
- terms-of-service
Revisions, commercial use, refunds, turnaround. Read before commissioning.
- enquiries
Start here. A ticket opens for your brief.
THE QUEUE
- current-queue
Who is in it and roughly where.
- in-progress
Stage updates: sketch, lineart, colour, final.
- awaiting-client
Blocked on approval. Where the turnaround actually goes.
DELIVERY
- finished-commissions
The portfolio.
- testimonials
Clients, in their own words.
- Client Call
BUSINESS
- invoices-and-payments
What is owed and what has cleared.
- client-notes
Briefs, preferences, references.
- difficult-clients
The private record. Facts, not venting.
Roles
- ArtistAdministrator
- AssistantModerator
- Client
- Past Client
- Visitor
- Muted
Overview
This is a working server for an artist who takes commissions, not a fan server. The public front answers the three questions every enquiry asks before anyone types: #whats-open states what slots exist right now, #prices-and-what-you-get lists tiers with what each includes, and #terms-of-service is the read-only channel that decides every dispute later — revisions included, commercial use, refunds, turnaround. #enquiries is where a client starts, and Tickets turns each into a private thread so a brief is not negotiated in public. The Queue is the part that stops the emails: #current-queue is a read-only ordered list of who is in it and roughly where, so a client can see their position without asking. #in-progress carries stage updates — sketch, lineart, colour, final — and #awaiting-client is for the pieces blocked on approval, which is where most commission time actually goes and is invisible without a channel for it. Delivery holds #finished-commissions, the portfolio, and #testimonials. Behind that, a hidden Business category holds #invoices-and-payments, #client-notes and #difficult-clients, because an artist needs a private record and the first two are money. Client is a role granted per commission and revoked on delivery, which keeps the private area small and current.
When to use it
Commission work usually runs across direct messages, a pinned price list and memory, so the same questions arrive daily, clients cannot see where they are in the queue, and a revision dispute comes down to what someone remembers agreeing. This layout publishes the terms, shows the queue, tracks each piece by stage, and names the blocked-on-client state that quietly eats most of the turnaround.
What makes it different
- A public read-only queue, so clients can see their position without asking.
- Written terms of service in their own channel, which is what settles a dispute later.
- An awaiting-client channel names the state that eats most of a commission's turnaround.
- The Client role is granted per commission and revoked on delivery, so access stays current.
Recommended Vetox setup
Tickets
Point Tickets at #enquiries so each brief becomes a private thread instead of a public negotiation.
Embed Messages
Use Embed Messages for #prices-and-what-you-get and #whats-open so both stay tidy and are edited rather than reposted.
Logs
Enable Logs so edits to #terms-of-service are recorded, since that channel is what a dispute is judged against.
Welcomer
Point Welcomer at #terms-of-service so nobody can claim they never saw the terms before commissioning.
Questions
Should the queue really be public?
The positions and rough stage, yes; the client names are your call and many artists use a handle or just a number. What matters is that the information exists somewhere a client can look. Publishing it removes the single most common message an artist receives, and it also quietly manages expectations: someone who can see six pieces ahead of theirs does not ask for an update on day two.
Why revoke the Client role after delivery?
Because the private area accumulates otherwise, and a former client sitting in the update channels sees other people's work in progress. Revoking on delivery keeps the room to people with an active piece. Past clients keep access to nothing they need — the portfolio and testimonials are public — and re-granting on a new commission takes a second.
Is a terms channel necessary for small commissions?
It is the cheapest insurance there is. Almost every commission dispute is about something that was never stated: how many revisions, whether it can be used commercially, what happens if the client disappears. A short read-only channel answering those turns an argument into a citation, and having it visible before someone commissions filters out the clients who were never going to accept it.
Common mistakes
- Keeping terms in a pinned message that gets edited, so nobody knows which version they agreed to.
- Running the queue from memory, which produces the same position question from every client every week.
- Never tracking the awaiting-client state, then blaming yourself for a turnaround the client was holding up.
Consider instead
- Digital Art Community You want a community of artists sharing work rather than a workflow for paid commissions.
- Freelancers Guild The server is a group of freelancers across disciplines rather than one artist's commission desk.
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